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  LiveWire / Teen Forums / Music & Popular Culture / Viewing Topic

Album Reviews
Give a full review of your favorite albums!
Replies: 47Last Post Aug. 30 8:46am by hockeyguitar99
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itoldyouso


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Quote: from ForeignFishes at 11:57 am on Feb. 2, 2008

Quote: from itoldyouso at 5:34 pm on Oct. 3, 2007


 Artist: Okkervil River  
 Album: The Stage Names  
 Genre: Alt-country/Folk rock/Indie rock (according to wiki, I never pay attention to genres and I really don't understand these classifications - but oh well.)  

Oh my God...Okkervil River is so brilliant. That's definitely one of my favorite albums of all time.  

Have you seen them live? They're from my hometown, so I have cause they're always around. Life changing stuff.


No! I haven't seen them live, yet. ): They came around here a few months ago, but there was no way I could have made it due to other stuff going on. I was really disappointed though. My friend went and said they were great.

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10:34 am on Feb. 23, 2008 | Joined Aug. 2005 | 540 Days Active
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superTy


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"

The Spill Canvas - Sunsets And Carcrashes.

Maybe, Acoustic rock.

It's a great album! It's the second album from The Spill Canvas, and In my opinion, is there best so far. Predominantly Acoustic stuff, this album can change your mood completely however you feel before listening to it. Lead singer Nick Thomas Produced and recorded it, though it was written by the whole band.

I think the first single off of this album was acoustic track "The Tide". This song is a song about 3 children that perish, when swepped away by the tide. Another stand out song would be "So Much", i think one of the best ballads i've ever heard. It's hard to fight the temptation to write down maybe 11 of the 12 songs that this album has. The 7 minute 'epic' Black Dresses In The Dirt, is also a great song, brilliant lyrically, and melodically a superb song. The song "3685" is a 'different' song, using piano aswell as acoustic guitar, it's a very upbeat song, with a poppy beat. Title Track "Sunsets and Car Crashes" is a tremendous song, slightly varying from the otherwise 'deep' lyrics on this album, it is one of the Stand-out tracks of this album.

It's hard to write down similar albums, because it is such a great, unique style that this band plays. I honestly cannot think of an album that is similar, or compares to this. The only one i could put down would be One Fell Swoop, also by The spill Canvas, but still this album beats it, hands down.

i think i have to give this album a least a 9/10, sheerly because it is an incredible album. If anyone hasnt heard it yet, they really should!

thanks, yeah?

Post edited at 1:14 pm on July 22, 2008 by BBallAsh23


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Relayer


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Sorry Tinaanderson - but I'm gonna beat you to it.

Artist ~ Rush
Album ~ Snakes & Arrows
Genre ~ Rock, semi-progressive
Overall Review ~
Rush returns once again to deliver their 'gazillionth' album (Geddy Lee said it - not me!). This feels different from any other Rush album - it has an overall much more acoustic feel, whilst still maintaining much of the heaviness of their previous album, Vapor Trails. The result, is quite simply astonishing.
The album explores mainly the themes of religion and war.
Another point of note is the production. Vapor Trails, while a fantastic album, was plagued by bad production. None of that this time around, thanks to Nick 'Boujze' Raskulinecz. His direction brings a very modern feel to the album - it truly does feel 21st century, whilst still maintaining the traditional greatness of Rush.

Track Review ~  

1. Far Cry ~ Pounding drums and growling guitar herald the arrival of the first track, with an intro vaguely reminiscent of 2112. Far Cry - the single for the album - is a rollicking rollercoaster of a ride. A powerful, guitar driven track, exploring how the future can turn out quite different from what we expect it to be - a far cry from the promises of experts. While technology may advance, problems such as famine and war still exist...perhaps humans as a race aren't as high and mighty as we think we are - and it's not likely to change anytime soon.
8/10

2. Armour And Sword ~ Another drum intro, leading into a fairly dynamic song, featuring almost equal amounts of 12-string acoustic and heavy growling guitar. Again, forcefully driven, and possibly my favourite song on the album. This song explores how we are brought up to believe certain things - most notably religion. It explains the concept of how beliefs and religion are taught to us to act as a shield , and how equally these beliefs are used as a sword to attack others.
On the technical side of things, this is classical Rush, with several changes of time signature, but again with a distinctly modern feel to it.  
10/10

3. Workin' Them Angels ~ A slightly different feel here, a song about moving on in life, in spite of past achievements and failures - this resonates with the events in Neil Peart's life back in 1997, with the loss of his wife and daughter, and how he has moved on. Oh yeah, and it has a mandolin solo!  
7/10

4. The Larger Bowl ~ First penned by Neil as he was on a cycling trip across Africa back in the 1990's. It explores the concepts of how people have very different fortunes and fates. For instance, here I am in a warm house with everything I need, reviewing an album for fun, while elsewhere in the world people are living very different lives, living simply from day to day trying to survive.
A very interesting point to note is the way in which this is written. It is written not so much as a song, but as a pantoum - a style of poetry from Malaya. The pantoum is a specific rhythmic style composed of quatrains - worth looking in to.
8/10

5. Spindrift ~ A dark, menacing rocker of a song, contrasting brilliantly with the relatively light grace of The Larger Bowl. This song is, as Neil Peart says "A lover's quarrel with the world". To me, it represents the clash between the West and the extremist elements of the Islamic faith - "As the waves crash in on the western shore, the wind blows fierce from the east"
7/10

6. The Main Monkey Business ~ The first of three instrumentals on the album. No fancy comments on what it's saying - because it's an instrumental. An absolute stonker of a track, driven mainly by Peart, who sits and batters out extremely complex African polyrhythms. Alex Lifeson certainly has his moments here, while Geddy is somewhat more noticeable, although even what he's playing is complex. There is a distinct eastern undercurrent to the song, and many of Alex' guitar phrases borrow heavily from arabic music.
The peculiar title of the song comes from an old saying of Geddy Lee's mother.  
"I think they've been up to some monkey business"
"What monkey business?"
"The MAIN monkey business"
In all, an absolutely stellar performance, and joint favourite on the album - tied with Armour And Sword.
10/10

6. The Way The Wind Blows ~ A song dealing with fighting for a cause, and very specifically the current involvement in the 'war on terror', and George Bush. It compares the current climate of suspicion and fear to that of the Dark Ages. It explores how our leaders give speeches which are not grounded in fact, but merely suit their own agendas.
In particular, the line "It's a plague that resists all science" is very telling of how both sides are being fuelled by their religion, and not rational thought, and how this leaves them blinded to sense.
Also noteworthy, and further clarifying that this is Bush we're talking about he mentions how they "leave no child behind" - referencing the infamous Act.
Musically speaking this has an interesting, almost bluesy feel in places.
9.99/10 - purely for it's massively deep lyrics and thoughts.

7. Hope ~ Relatively simple here, an astonishingly beautiful 12-string solo by Alex Lifeson, almost in the style of Steve Howe. Technically, it was played with a very odd tuning (D-A-D-A-A-D), giving it a truly unique sound.
8/10

8. Faithless ~ We're back to religion again here, and it's wrongs. This song promotes free thought, and promotes us to "quietly resist".
Perhaps the idea of the song would be best expressed by quoting the chorus
"I don't have faith in faith.
I don't beleive in belief.
You can call me faithless
but I still cling to hope.
And I believe in love
and that's faith enough for me."
In the same vein, it tells us how you don't need religion to be an ethical person, and especially where extreme religion is concerned, where I think you'll find a lot less ethics.
"A guiding star beats a spirit in the sky"
8/10

10. Bravest Face ~ Another of my favourites. Again, interesting interplay between quiet acoustic verses, and a loud pounding chorus. Basically, this song is about facing life's challenges head on - grinning and bearing it. It explores how there's an entirely different element inside us which contradicts the rest of us - "In the sweetest child there's a vicious streak / In the strongest man there's a child so weak". The song is about overcoming these adversities, and treasuring what little we have.
9/10

11. Good News First ~ In the same vein as Bravest Face, this deals with life's hardships, but looking at it from a slightly different point of view.
This song focusses on looking on the bright side of life (feel free to whistle along now if you know what I'm on about!) There is also an element of campaigning against Christoextremism here, about how the religious right pay only pay lip service to their "Good News" and generally instead focus on what others are doing 'wrong'.
6.5/10

12. Malignant Narcissism ~ Short. Brutal. LOUD! The last instrumental on the album. Lots and lots of bass here, and especially good parts where you have the bass and the drums playing off against each other. It's pretty frenetic, but also supremely precise. The song features a quote from Team America : World Police, about malignant narcissism - hence where the song gets it's title. The narcissism is in this context the self indulgence of each instrument. Brilliant.
9/10

13. We Hold On ~ The finale to the album, again dealing with how we face hardship in life. It's message is simple  - when we're having a rough time, we do the only thing we can do - we hold on.
"We could be down and gone, but we hold on"
Musically this is a pounding, guitar driven track, and finishes the album the way it should - with the wailing guitar of Lerxst Lifeson...
7/10

Similar Albums ~ Really, not much similar to this. You'd be worth checking out other Rush albums, and venturing deeper into prog-rock, with the likes of Genesis and Yes. You're not going to get the same kind of hard rocking from 'deep prog', but you're bound to journey deeper into some of the more mystical elements. For me, this particular band fills my 'smart-but-rocking' niche.

Rating ~ 9.999999999 (I've already given a 10 - and the rules state only give an album to the best one you've heard.)


Post edited at 5:28 pm on Mar. 7, 2008 by Relayer

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1. Album Cover-  

2. Artist-Genesis

3. Album- Nursery Cryme

4. Genre- Progressive Rock/ art rock

5. Overall Review- Genesis' third release expands on the previous work Trespass by bringing in the talent of Steve Hackett on guitar and Phil Collins on drums (this is a good thing here- his drum skills were top-notch). The songs here are more complex than in Trespass, delving into advanced intstrumental interplay while retaining complete palatability. Every song is good, some are great. The overall mood is relaxed with moments of extreme tension and emotional climax.

6. Track Review-
1. The Musical Box- this song takes its time to build with a relaxing interplay between two acoustic guitars and the soothing vocals. It sounds delicate. Then enters the hammond organ and electric guitar. The most important part here is the very modern guitar playing in contrast to the earlier acoustic work. After a long instrumental section, the vocals continue the story (its very weird and complicated- look up the lyrics) and culminate when Gabriel sings "NOW NOW NOW NOW NOW!!".
2. For Absent Friends- a piece like the intro to the Musical Box with rich acoustic guitar work by Hackett and Rutherford (the bassist who also plays guitar).
3. The Return of the Giant Hogweed- a very fast-tempo electric song that starts with Hackett ripping up the fretboard and then Rutherford's funky and extremely complicated bassline coming in with Banks' Hammond organ. The song continues with a short interlude before more instrumental material. Despite showing off Hackett and Rutherford and masters of their instruments, the song never gets boring or indulgent.
4. Seven Stones- dreamy song featuring the mellotron and bass with an acoustic backdrop. Very relaxing.
5. Harold the Barrel- the "pop" song of the album, still very funky and fun.
6. Harlequin- similar to For Absent Friends- great melodies abound.
7. Fountain of Salmacis- the best song on the album IMO. Starts with emotional mellotron intro followed by grooving bass and drums over the mellotron- the bass is great here (I am a bassist if you can't tell). Then after this extremely pleasing section we enter an instrumental section with Hackett showing off tastefully. Then it returns to that climactic mellotron to end it off.

7. Similar Albums- Any Genesis to 1975, also Yes "Close to the Edge" or Yes "The Yes Album". It's a pretty unique album really.

8. Rating x/10- 8.5/10



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1. Album Cover-
2. Artist- Bela Bartok
3. Album- Divertimento, Dance Suite, Hungarian Sketches, Two Pictures
4. Genre- Classical- 20th Century, Modernist
5. Overall Review- Here are some of Bartok's lesser known works put together. You find all sides of Bartok here from the atonal jarring passages to beautiful melodies. It is definitely not what the average person would consider classical music as it still sounds ahead of it's time for the use of such innovative harmonic and melodic structures. Nevertheless, I think people should here it.
6. Track Review-
Dance Suite- this collection is based on the modes and rhythmic patterns of eastern european folk music but the end result is a mix of harsh dissonance and calming melodies and harmonies.
Two Pictures- two impressionistic works from Bartok's earliest works. The first on is more creative and interesting than the second. They are in the style of Debussy.
Hungarian Sketches- simples pieces arranged for the orchestra but borrowed from other ideas Bartok had. Some are good melodies, others for fun, and one that is really creepy/futuristic in the way Bartok can be.
Divertimento- the most boring Bartok piece I know. I can barely sit through it.
7. Similar Albums- if this seems too weird try his Concerto for Orchestra, if you want weirder go for Piano Concerto No. 1.
8. Rating x/10- 8.5/10

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zenfusion1992


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1. Album Cover-

2. Artist- tATu, Lena Katina and Julia Volkov
3. Album- Lyudi Invalidi (Russian for "Disabled People")
4. Genre-Pop/Rock/Electronic/Techno/Alternative
5. Overall Review-Beautiful piece of music that covers many genres, Lyudi Invalidi is a great sophmore comback for tATu. While still defying them as an Electronic band, the songs on this new album appear to be a lot darker and a lot more haunting. They should have put in more songs from the English version such as Gomenasai and Sacrifice. Let's check out some of the songs.

6. Track Review

1. Lyudi Invalidi (Intro)-No rating
Not much to say here, just serves as an intro

2. Novaya Model (New Model)-5/5
Beautiful song, the lyrics are a lot more interesting than the English version, and Russian makes it sound a lot prettier.

3. Obezyanka Nol (Monkey Zero)-4.5/5-This song is enjoyable, but something aobut it feels weird. Not my most favourite, but still not bad.

4. Loves Me Not-4/5-Not genrally a fan of their English music, but at least it sounds better than the Dangerous and Moving version.

5. Kosmos (Outer Space)-5/5-Awesome song, and WAY better than the overrated english version. This version sounds way more human, well isn't that true complaring tATu's Russian music to their English? Simple beat, electronic feel, beautiful lyrics, this song has it all.

6. Ti Soglasna (You Agree)-2/5-Too repetitive, not much to say here.

7. Nichya (No One)-4/5-Pretty good song, somewhat reptitive, but passible.

8. Vsya Moya Lyubov-Beyond Rating-Porbably the best song on the album, 6 minutes of your live you'll never regret listening to this song, it's just too good.

9. All About Us-4/5-Overrated song, not my most favourite, but passible.

10. Chto Ne Khvatyet-Beyond Rating-Another song that will blow you away, with it's ambient and ark sound a beautiful lyrics, you couldn't go wrong.

11. Lyudi Invalidi (Full Song)-4/5-Not my most favourite song, but somehow I like it. It ends the  album smoothly and easily, but leaves me wanting more.

7. Similar Albums-Honestly, I dunno if anything is similar.

8. Rating x/10-9.5/10-Great album, completey unforgettable.

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LittleItaly


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ready to die.

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They say practice makes perfect. I wish they would make up their minds.

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Frubeling


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1. Album Cover-
2. Artist- As I Lay Dying
3. Album- An Ocean Between us
4. Genre- Metalcore
5. Overall Review- The album as a whole is AILD's most metal album to date, with a new bassist, and Tim's screaming finally refined; I believe it is their best yet.
6. Track Review- T1)Seperation is a brief album intro, featuring one of the albums two guitar solos. 5/10
T2) Nothing Left starts suddenly from the end of Seperation, launching into a primeval scream and battering of kick drums, this song shows the addition of more melodic vocal sections to the songs very well. 7/10
T3) An Ocean Between Us, the albums title track again involves high speed drumming and some great guitar parts, also highly important in this song is the chanted chorus "Is this your salvation? Is this all you can give?"
T4) Within Destruction is one of my personal favourites from this album, more amazing drumming from Jordan Mancino, this is one of the albums more violent offerings, which slows in the middle, only to return with the same vigour as before. 10/10
T5) Forsaken begins with relatively long piece of guitar and drum work that would sound more at home on an alternative rock album, after the main bulk of the song begins it is not long until the melodic vocals kick in, mixed among the screams; which in this song are discernible as words. 9/10
T6) Comfort Betrays - Another song opening with a massive roar from tim and a fantastic riff. The bass in this song is pounding away in the background still audible over the ever frantic drumming. Around midway there is a great bit of guitar shredding. 7/10
T7) I Never Wanted is one of the softer songs of the album, opening with the clean vocals of Josh Gilbert and this time with slower drums. This song features screamed vocals layered with clean. 8/10
T8) Bury Us All throws us right back into the brutality of earlier songs from the album. There are two sets of screamed vocals at once in certain parts of the album, with some shredding two minutes in. 7/10
T9) The Sound Of Truth is my other favourite from the album, as it has the most emotional strength, as it asks us "What use is there, is there in praying, if you will only hear what you want to hear?". I would highly recommend this song to anyone I met, as it has had such an impact on me. 10/10
T10) Departed is the second track to feature a guitar solo, and when I say feature, I mean it IS a guitar solo, coming in at one minute 41 seconds, it is very reminiscent of the playing style of Matt Bellamy of Muse. 9/10
T11) Wrath Upon Ourselves is ear rape, and I like ear rape. That's all I have to say about this song. 10/10
T12) Finally, This Is Who We Are is a slow opening song, opening with Tim's scream of "So this is who we are", the song is vicious throughout, and sounds to me like a big fuck you to anyone who does'nt appreciate their music for what it is. The song includes an unexpected surprise at the end, in the form of a minute long piano solo. 8/10
7. Similar Albums- AILD's older albums, they're all worth a listen.
8. Rating- 9/10

Wow, that took a while. Could people please tell me how they think I've done, this is my first attempt at a review of any kind.

Post edited at 1:05 pm on Aug. 15, 2008 by Frubeling

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